| Xanthus Russell Smith | |
|---|---|
Xanthus Russell Smith, circa 1875. |
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| Born | February 26, 1839 Philadelphia, Pennsylvania |
| Died | December 2, 1929 (aged 90) Glenside, Pennsylvania |
| Field | Marine painter |
| Training | Pennsylvania Academy of the Fine Arts |
| Works | The Monitor and the Merrimack (1869), Union League of Philadelphia The Kearsarge and the Alabama (1875), Union League of Philadelphia |
Xanthus Russell Smith (February 26, 1839, Philadelphia, Pennsylvania – December 2, 1929, Glenside, Pennsylvania) was an American marine painter best known for his illustrations of the American Civil War.
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Born in Philadelphia, Pennsylvania, the son of painters William Thompson Russell Smith and Mary Priscilla Wilson. Smith was educated at home by his mother, who also gave him drawing lessons. Between 1851 and 1852, he accompanied his parents and sister Mary on the family's tour of Europe. After returning home, he studied chemistry at the University of Pennsylvania, before enrolling at the Pennsylvania Academy of the Fine Arts. He served in the United States Navy during the American Civil War, helping to maintain the blockade of Charleston, South Carolina. He saw little action, and sketched hundreds of ships in a variety of media, including pencil and oil paint, both for official purposes and for his own pleasure.
Smith did not actually participate in most of the battles he illustrated; instead, he generally consulted those who were present at the engagements. His first major work, The Monitor and the Merrimack — 1869, oil on canvas, 30 x 66 inches (76.2 x 167.6 cm.), Union League of Philadelphia — was critically acclaimed. It was followed by The Kearsarge and the Alabama — 1869, oil on canvas, 21 x 36 inches (53.3 x 91.4 cm.), Debra Force Fine Art, Inc., New York, NY.[1]
His paintings were sometimes massive: Final Assault upon Fort Fisher, North Carolina — 1872–73, oil on canvas, 56 x 123-1/2 inches (142.2 x 313.7 cm.), Pennsylvania Academy of the Fine Arts — is more than 10 feet wide. A second version of The Kearsarge and the Alabama — 1875, oil on canvas, 56-1/2 x 96 inches (143.5 x 243.8 cm.), Union League of Philadelphia — is 8 feet wide, and was a popular attraction at the 1876 Centennial Exposition. A third version is much smaller — c. 1870, oil on canvas, 9-5/8 x 14-7/8 inches (24.4 x 37.8 cm.), Mariners' Museum, Newport News, VA[2] — as is a fourth version that was sold at auction in June 2008 — c. 1865-70, oil on canvas, 8.2 x 14.7 inches (20.8 x 37.3 cm.).[3] He painted a fifth version in watercolor — 1892, 19-3/4 x 29-3/4 inches (50.2 x 75.6 cm.), Morris Museum of Art, Augusta, GA[4] — and a sixth version — 1922, oil on canvas, dimensions unknown — for former Assistant Secretary of the Navy Franklin D. Roosevelt. All six versions of The Kearsarge and the Alabama are unique compositions.
His father built a suburban villa, "Edgehill", in Glenside, Pennsylvania, a couple miles outside of Philadelphia, that included a large artist's studio.[5]In 1879, Smith married Mary Binder, the daughter of a wealthy Philadelphia lumber dealer. The Smiths settled at Edgehill, where they raised their three children, Mary Russell "Polly" (1880-1938), Xanthus Russell Jr. 1886-1961), and George Russell (1890-1943). Smith also maintained a studio at 1020 Chestnut Street in Philadelphia for over thirty years, and painted until his death at age 90.
Smith's paintings and sketches were used to illustrate a large number of Civil War histories, including the 1926 biography he wrote of his former commanding officer, Admiral Samuel Francis du Pont.[6] The U.S. Naval Academy in Annapolis, Maryland, and the U.S. Naval Historical Center in Washington, DC possess examples of his work. Others are in the collections of the Metropolitan Museum of Art,[7] the Museum of Fine Arts, Boston, the Columbus Museum of Art, the Delaware Art Museum, the Columbia Museum of Art,[8] and the Addison Gallery of American Art.[9] His unpublished autobiography, An Unvarnished Tale, along with his family papers are preserved in the Archives of American Art at the Smithsonian Institution.[10]
